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Pauline Amos at the Tramshed

Tom Winnifrith
Monday 17 June 2013

Friend of colourful James, fan of the Real Man and artist – what more could be said about Pauline Amos.  My initial article about her performance art at the opening of her show attracted a few comments. The video of that art (showing her taking her clothes off and inviting folk to paint her body) attracted rather more views. In case you missed it, the video is below.

But as promised I went along to Pauline’s exhibition which is in the basement art gallery at the Tramshed on Rivington Street Shoreditch and runs for another week or so. The gallery details can be found at

The Tramshed itself has become a Mark Hicks restaurant which is pleasant enough, if far from cheap. The new world of Shoreditch. But the bird was paying and so after seeing Pauline’s show I had a pleasant enough glass of wine and a few – overpriced – nibbles. As to the show…

Its theme is how man has killed man through the ages. There are prints and some contemporary art paintings hung in an unusual way. The colours and layout are meant to shock and they do. It took the bird and I about 15 minutes to wander around the cold basement checking out the 20 or so smaller pieces on the wall and the ten or so large main features (including the canvas which Pauline was painted on). 

As I think most folks know I am not a great art expert so cannot offer up 500 words on the inner meaning of it all. If it was meant to appear violent, angry and shocking (as I think it was) then Pauline has succeeded.  The bird and I both took that message from the show and if you are in the area you could find a lot worse ways to kill a quarter of an hour before heading off to The Grill, or The Diner or even, if it is still going, that Moroccan Place on Old Street ( but not the Tramshed) for something to eat.

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About Tom Winnifrith
Tom Winnifrith is the editor of When he is not harvesting olives in Greece, he is (planning to) raise goats in Wales.
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